'Socially Sanctioned Prosthetics'- A phrase drawn from Audre Lorde, referring to the social and psychological supports people develop in order to survive within systems shaped by racism, sexism, homophobia, capitalism, and patriarchy.Made during my Masters in Sculpture at the Royal College of Art (2026), this body of work explores casting processes and found objects to consider the inner world as fragmented, complex, and never fully resolved.
'Not So Very Far Off Lie More Ruins' (2026) | Plaster, silicone, bronze, steel, car suspension arms, steel cord, dried plants, wig | 200 x 100 x 350cm
'Not So Very Far Off Lie More Ruins' (2026) | Plaster, silicone, bronze, steel, car suspension arms, steel cord, dried plants, wig | 200 x 100 x 350cm
'Not So Very Far Off Lie More Ruins' (2026) | Plaster, silicone, bronze, steel, car suspension arms, steel cord, dried plants, wig | 200 x 100 x 350cm
‘Socially Sanctioned Prosthetics I’ (2026) Plaster, steel, plants, bronze, silicone | 65 × 92 × 85 cm
‘Socially Sanctioned Prosthetics I’ (2026) Plaster, steel, plants, bronze, silicone | 65 × 92 × 85 cm
'A Means Of Meaning’ (2026) | Plaster, steel, found rolling cart frame, dried plants | 74 × 46 × 35cm
'A Means Of Meaning’ (2026) | Plaster, steel, found rolling cart frame, dried plants | 74 × 46 × 35cm
'That Which We Use To Move Through and Over' (2026) | Car suspension arms, silicone, steel, dried plants | 86 x 32 x 36cm
'That Which We Use To Move Through and Over' (2026) | Car suspension arms, silicone, steel, dried plants | 86 x 32 x 36cm
'That Which We Use To Move Through and Over' (2026) | Car suspension arms, silicone, steel, dried plants | 86 x 32 x 36cm
'The Execution of Lady Jane Grey' (2026) | Wig, broken chairs, plaster, tights, lighting | 220 x 89 x 105cm
'The Execution of Lady Jane Grey' (2026) | Wig, broken chairs, plaster, tights, lighting | 220 x 89 x 105cm
'The Execution of Lady Jane Grey' (2026) | Wig, broken chairs, plaster, tights, lighting | 220 x 89 x 105cm
'Good Wife' (2026) | Wig, broken chair, white lace, lighting | 262 x 62 x 65cm
'Good Wife' (2026) | Wig, broken chair, white lace, lighting | 262 x 62 x 65cm
'The Mouth Before Not Speaking' (2026) | Plaster, steel, wig | 200 x 72 x 71cm
'The Mouth Before Not Speaking' (2026) | Plaster, steel, wig | 200 x 72 x 71cm
'Warning' (2025) | Found wood with three rusty nails, pigeon spikes, brown wig, metal frame, metal fragments, and black tar | 69 x 41 x 4cm
'Warning' (2025) | Found wood with three rusty nails, pigeon spikes, brown wig, metal frame, metal fragments, and black tar | 69 x 41 x 4cm